Recently, I attended a concert by Karthik Lakshminarayanan and Kaushik Lakshminarayanan, two upcoming youngsters, organized by LOTUS (LOcal Talent UnderScored). It was an excellent concert featuring Mamava Meenakshi in Varali, Tulasi Jagajanani in Saveri (requested by yours truly), a beautifully rendered Tulasi Bilva and a mind-blowing Akhilandeshwari. The violinist Krishna Parthasarathy was quite upto the task and the mridangist Sriram Raghavan’s playing was delightful throughout the concert.
Well, I managed to provide a brief review of the concert. But I wanted to bring up another important issue in this post. There have been endless debates on musicians having the lyrics of the song in front of them. I normally take the stand that as professionals, they should be memorizing the lyrics, especially because it’s difficult to write down the sangathis. Also, I feel that one just learns a krithi to be able to sing it on stage without actually understanding the meaning of the song. If one makes an effort to understand the meaning and the emotion that the composer tries to convey, they shouldn’t forget the lyrics, right?
On this note, I started paying closer attention to the sahitya on my runs and found some glaring mistakes by some of the popular names in CM. For example, BMK leaves out a whole charanam in Dudukugala, interchanges charanams in Endaro. In Taye Ezhaipaal, Sanjay sings
naayEnum paalanRi engE selvEn
pOdum ini muDiyaadu unadaDi
pOdu aDaiya idu pOdu varam aruLi
instead of
naayEnum paalanRi engE selvEn
naLina mruduLa sukumaara manOhara
saraNayugaLa maruLa taruNamiduvE en
(Lyrics: http://www.karnatik.com/c1544.shtml).
and then corrects himself. In Brochevarevare, he again forgets one of the charanams and interchanges it. Coming from professionals, this is a bit disappointing. While we need to applaud their ability to learn and memorize thousands of krithis, we should also expect some professionalism from them. In this respect, I have come to think that it’s probably a better idea to have the lyrics in front of them so that they don’t change the meaning of krithis or forget them entirely. This would enable them to sing with a lot more confidence I guess.
As long as they do not write down kalpana swaras like some artists have been known to do, they should be fine.